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Dr Zélie Asava is a lecturer, author and public speaker on race, gender and representation in screen studies.

“Zélie Asava’s Mixed Race Cinemas: Multiracial Dynamics in America and France is an important contribution to mixed race studies, because representation is treated as the source of identity, rather than its effect. Asava focuses on female black-white mixed race in film, from the tragic mulatta figure, through passing, over the 20th century, and shows how these earlier tropes continue into our own “post-binary” times. Fascinating, seductive, suffering, passive, and triumphant, these racially ambiguous actors and their characters timelessly reflect and create broad human conditions of provincialism, cosmopolitanism, oppression, liberation, grief, and joy. Mixed Race Cinemas should be required reading for all students of race and gender, as well as those who appreciate film.” –  Naomi Zack, Professor of Philosophy, University of Oregon, USA


“Zélie Asava makes an important contribution with this smartly researched study of mixed race representation in U.S. and French films. Her analysis of relevant films and the mixed racial politics of these two national cinemas is cogent and sharply illuminating.” –  Mary Beltrán, Associate Professor, The University of Texas at Austin, USA and co-editor, Mixed Race Hollywood


“Zélie Asava is a bold new voice in cinematic and mixed-race studies. She follows up her path-breaking first book, The Black Irish Onscreen, with Mixed Race Cinemas, a trenchant examination of mixed-race figures in nearly a century of French and American film, from the movies of Oscar Micheaux to mixed-race sci-fi. Her writing is grounded in but not burdened by theory and offers a fine-grained gender analysis. In offering sometimes startling insights, she deepens our understandings of the different racial systems that have evolved in each of these countries. This is a terrific book.” –  Paul Spickard, Professor of History and Black Studies, University of California, Santa Barbara, USA




Forgotten Filmmakers: Kathleen Collins’s Losing Ground

One of the first feature films by an African-American woman is Kathleen Collins’s 1982 masterpiece Losing Ground. The film is unique in many respects, not least for its centralisation of the black bourgeoisie. Losing Ground is a rare example of a feminist film focused on a complex, intellectual and reserved black female protagonist. Through itsContinue reading “Forgotten Filmmakers: Kathleen Collins’s Losing Ground”

New Black Horror: Get Out

Recent shifts towards populist, xenophobic politics have broken the ‘post-race’ illusion and made it painfully clear that we still live in racialised realities. As Michael Omi notes, race is still ‘a fundamental organising principle of individual identity and collective action’ (1996: 179). In particular, the events of 2020 led to a mainstream acknowledgement that raceContinue reading “New Black Horror: Get Out”

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