Pandemics, Posthumanism and Potentiality: Neasa Hardiman’s Sea Fever

Sara Ahmed[1] argues that institutions often attach failure to the individuals failed by them; the minoritised complainant who speaks out against discrimination is labelled as the cause and source of the problem. In order to maintain post-racial mythology (and elide the decolonising gaze), the complainant is stigmatised, silenced and excluded. Such conditions of social membershipContinue reading “Pandemics, Posthumanism and Potentiality: Neasa Hardiman’s Sea Fever”

Mixed-Race Melodrama: Métisse

Métisse [Mixed-Race] (Kassovitz, France, 1993) adheres to the ethics of beur cinema by reimagining the French nuclear family as black, mixed and white through its central characters.  As a pioneering work it is flawed but, by directly engaging with issues of race, class, gender and sexuality, the film challenges the culturally embedded assumptions of itsContinue reading “Mixed-Race Melodrama: Métisse”

The Black British Period Drama

This blog explores mixed-race representations in British period dramas Belle (Asante, 2013) and Wuthering Heights (Arnold, 2011). Both are written and directed by women – in Belle’s case a Black-British woman – and both star mixed-race actors: in Wuthering Heights Solomon Glave and James Howson play Heathcliff as, respectively, child and adult, while Gugu Mbatha-RawContinue reading “The Black British Period Drama”